A new exhibition at Syracuse University’s Sue and Leon Genet Gallery features Peter Piening’s dynamic abstract commercial work and his role as an educator. According to exhibition curator Meri A. Page, assistant professor of communications design in the College of…
Department of Drama Continues Its 2019-20 Season with Arthur Miller’s ‘The Crucible’
The Syracuse University Department of Drama continues its season with Arthur Miller’s “The Crucible” directed by faculty member Geri Clark. “The Crucible” previews Nov. 8 and runs through Nov. 17 in the Storch Theatre at the Syracuse Stage/SU Drama Complex, 820 E. Genesee St.
Recognized today as a mid-20th-century American classic, “The Crucible” is set in Salem, Massachusetts Bay Colony, in 1692 amid a whirl of paranoia and hysteria fed by the winds of unfounded accusations of witchcraft. Miller fictionalized the historic record of the Salem witch trials to explore how fear warps judgment and extremism eradicates truth. In doing so, he created a theatrical world where innocence and guilt are indistinguishable and only fanatics speak with impunity.
Miller wrote “The Crucible” in 1953, prompted by the investigations of U.S. Sen. Joseph McCarthy and the House Committee on Un-American Activities in the late 1940s and early 1950s. The so-called Red hunt, ostensibly initiated to root out communists in the U.S. government, cast a wide net and eventually ensnared many private citizens, including many academics and artists. Careers and lives were recklessly ruined.
Miller found parallels to the country’s experience of the McCarthy hearings in the record of the Salem witch trials, especially in the way its “terribly serious insanity” obliterated “all nuance, all the shadings that a realistic judgment of reality requires.” This holds true today for director Clark, who finds the play especially relevant in a time where false information can spread like wildfire and information must be tempered with care and caution. Clark’s vision for the production is “a response to the dishonesty and lack of honor that has come to light within our political system.”
The dramatic core of “The Crucible” coalesced in Miller’s mind when he read notes on the testimony of Abigail Williams in the historic record of a trial. He understood immediately that Abigail and John Proctor, husband to Elizabeth, had had an affair. This triangle became the human heart of his play and the catalyst for the unfolding drama. As Abigail’s accusations overwhelm the town, John and Elizabeth and others are swept up in a kind of communal madness from which there seems no escape. They are sane people in a world gone mad. Surely, therein lies relevance to the world beyond the stage
Director Clark adds, “It’s wonderful to have the opportunity to produce one of our greatest playwright’s most important plays in a time when the message will resonate in such a different way.”
In selecting “The Crucible” for the season, Department Chair Ralph Zito points out that there is “no correlation between the age of a play and its timeliness.” The play’s issues of “moral choice, integrity and justice” have stayed relevant throughout history and remain so today, he says.
By Arthur Miller
Directed by Gerardine Clark
Scenic Design: Maria E. Marrero
Costume Design: Garvin “Vinny” Hastings
Lighting Design: Jonathan Hayes
Sound Design: Kevin O’Connor
Dialect Coach: Blake Segal
Stage Manager: Brian Beighle
Andrea Baker (Martha Corey)
Michael Cagnetta (Francis Nurse)
Tori Dedo (Rebecca Nurse)
Hannah Dolan (Mercy Lewis)
August Kiss Fegley (Betty Parris)
Jack Fortin (John Proctor)
Gabriel Girson (Judge Hathorne)
Trevor Hart (Marshall Herrick)
Veronica Hersey (Susanna Walcott)
Madeleine Ince (Elizabeth Proctor)
Connor Johnson (Hopkins)
Melanie Johnson (Tituba)
Calvin Keener (Ezekiel Cheever)
Catie Kobland (Abigail Williams)
Elizabeth O’Malley (Mary Warren)
Francesca Panzara (Sarah Good)
Zach Person Deputy (Governor Danforth)
Jacob Rosen (Reverend Parris)
Lily Schmidt (Mrs. Ann Putnam)
William Schuyler (Mr. Thomas Putnam)
Justin Slepicoff (Reverend John Hale)
Ian Soares (Giles Corey)
Andrea Baker (Abigail Williams, Elizabeth Proctor)
Michael Cagnetta (Deputy Governor Danforth)
Gabriel Girson (Ezekiel Cheever)
Trevor Hart (Mr. Thomas Putnam)
Veronica Hersey (Mary Warren)
Connor Johnson (Reverend John Hale, Judge Hathorne)
Calvin Keener (Reverend Parris)
Francesca Panzara (Rebecca Nurse, Mrs. Ann Putnam)
Maria Victoria Polanco (Betty Parris, Susanna Walcott, Mercy Lewis, Tituba)
Eli Schwartz (John Proctor, Hopkins, Marshall Herrick, Francis Nurse, Giles Corey)
Assistant Scenic Designers: Samantha Olszewski, Allison Turlo, Jason Zong
Assistant Costume Designers: Brandon Eridan, Addie Livingston
Assistant Lighting Designer: Lily Meaker
Assistant Stage Manager: Rebecca Malamud
Casting Associate: Wallis Dean
Casting Assistant: Emilia Smart-Denson
Nov. 8 at 8 p.m. (preview)
Nov. 9 at 8 p.m. (opening)
Nov. 10 at 2 p.m.
Nov. 13 at 8 p.m.
Nov. 14 at 8 p.m.
Nov. 15 at 8 p.m.
Nov. 16 at 2 p.m. (open captioning)
Nov. 16 at 8 p.m.
Nov. 17 at 2 p.m. (ASL interpreted)