Skip to main content
  • Home
  • About
  • Faculty Experts
  • For The Media
  • ’Cuse Conversations Podcast
  • Topics
    • Alumni
    • Events
    • Faculty
    • Students
    • All Topics
  • Contact
  • Submit
Arts & Culture
  • All News
  • Arts & Culture
  • Business & Economy
  • Campus & Community
  • Health & Society
  • Media, Law & Policy
  • STEM
  • Veterans
  • University Statements
  • Syracuse University Impact
  • |
  • The Peel
  • Athletics
Sections
  • All News
  • Arts & Culture
  • Business & Economy
  • Campus & Community
  • Health & Society
  • Media, Law & Policy
  • STEM
  • Veterans
  • University Statements
  • Syracuse University Impact
  • |
  • The Peel
  • Athletics
  • Home
  • About
  • Faculty Experts
  • For The Media
  • ’Cuse Conversations Podcast
  • Topics
    • Alumni
    • Events
    • Faculty
    • Students
    • All Topics
  • Contact
  • Submit
Arts & Culture

CFAC Presents ‘As Bad as I Wanna Be: Reimaging Black Womanhood’

Tuesday, February 9, 2016, By News Staff
Share

Community Folk Art Center opens the spring 2016 exhibition season with “As Bad as I Wanna Be: Reimaging Black Womanhood,” featuring the works of artists Delita Martin, Kenyatta Hinkle and Nina Buxenbaum. These emerging mixed media artists interrogate femininity, gender and race in their work. Each artist’s creative practice combines a mix of personal and collective narratives exploring the role of Black women’s bodies and their continual subjugation through the appropriation of existing material culture. All three artists work to reclaim history and complicate ways of knowing. The exhibition will be on view through ­ April 23.

Selections from the Community Folk Art Center's exhibition "Bad as I Wanna Be: Reimaging Black Woman"

Selections from the Community Folk Art Center’s exhibition “As Bad as I Wanna Be: Reimaging Black Womanhood”

Artist and printmaker Martin was born and raised in Conroe, Texas, and is currently based in Little Rock, Ark. Her portraiture work focuses on African American women, particularly the women who she calls “pillars” in her life and family history. She pulls from memories of quilting with her grandmother, embodying a similar message of piecing together her history and the visual narratives of the women in her imagery. Martin’s work has been featured on Huffington Post Arts and Culture as well as Art League Houston.

Hinkle, raised in Kentucky, has set out on a project titled “Kentrifica,” which combines the geographic ways of knowing for the artist, Kentucky and Africa. Hinkle’s project has developed beyond just her own narrative, extending to the larger dialogue of displacement. One installation displays a Jim Crow-era noose hung on a wall horizontally. As opposed to its traditional vertical use, Hinkle’s installation emphasizes the tension between the past and the present. Her work has been named on the Huffington Post’s “Black Artists: 30 Contemporary Art Makers Under 40 You Should Know” and has been reviewed by The New York Times.

As Buxenbaum creates her work, she is also thinking about the shifts necessary in the depiction of Black womanhood and femininity. With her ancestry as both African ­American and German-­Jewish, she works in the space of complexing identity or “the metamorphosis of identity.” As an admirer of Western paintings, Buxenbaum wanted to see more of herself, family and friends and people she related to in painting. Buxenbaum has lectured at Rush Arts Museum as well as Studio Museum in Harlem.

The opening reception for “As Bad As I Wanna Be: Reimaging Black Womanhood” will be held Thursday, Feb. 11, from 6-8 p.m. There will also be an artist panel discussion on Wednesday, Feb. 24, at 6 p.m. with the featured artists, moderated by Linda Carty, associate professor in the University’s Department of African American Studies.

Gallery Hours are Tuesday­-Friday, 10 a.m.-5 p.m., and Saturday, 11 a.m.-5 p.m. All events are free and open to the public. For more information, visit http://www.communityfolkartcenter.org or call 315 442-­2230. Like us on Facebook at Community Folk Art Center, follow us on Instagram @CFACSyracuse and Twitter @CFAC.

 

  • Author

News Staff

  • Recent
  • Whitman Honors Outstanding Alumni and Friends at 2025 Awards and Appreciation Event
    Tuesday, June 10, 2025, By News Staff
  • The Libraries’ Resources: A Staff and Faculty Benefit
    Monday, June 9, 2025, By News Staff
  • Forecasting the Future With Fossils
    Sunday, June 8, 2025, By Caroline K. Reff
  • ECS Professor Pankaj K. Jha Receives NSF Grant to Develop Quantum Technology
    Friday, June 6, 2025, By Kwami Maranga
  • Libraries Innovation Scholar Launches Utopia, a Transparent Beauty Brand
    Friday, June 6, 2025, By News Staff

More In Arts & Culture

Deadline Set for Fiscal 2025 Year End Business

Cash Operations has set a deadline of 3:30 p.m. on Monday, June 30, 2025, to receive deposits at the Bowne Cash Operations office for credit in fiscal year 2025. Deposits should be made as early in the day as possible…

The Libraries’ Resources: A Staff and Faculty Benefit

Syracuse University Libraries is a critical asset to student success and faculty research and teaching. But Syracuse University staff may not realize that all the collections, services and spaces available through the Libraries are also available for staff use. Anyone…

DPS Earns Accreditation From International Association of Campus Law Enforcement Administrators

The Department of Public Safety (DPS) is thrilled to announce that it has achieved accreditation from the International Association of Campus Law Enforcement Administrators (IACLEA), the leading authority for campus public safety. Fewer than 100 agencies have earned this distinctive…

Blackstone LaunchPad Founders Circle Welcomes New Members

Syracuse University Libraries’ Blackstone LaunchPad welcomed 34 graduates of the Class of 2025 as new members of the Founders Circle. They were selected in recognition of launching or leading ventures at the University while students, as well as contributing to…

Syracuse Stage Concludes 2024-25 Season With ‘The National Pastime’

Syracuse Stage concludes its 2024-25 season with the world premiere production of “The National Pastime,” a provocative psychological thriller about state secrets, sonic weaponry, stolen baseball signs and the father and son relationship in the middle of it all. Written…

Subscribe to SU Today

If you need help with your subscription, contact sunews@syr.edu.

Connect With Us

  • X
  • Facebook
  • Instagram
  • Youtube
  • LinkedIn
Social Media Directory

For the Media

Find an Expert Follow @SyracuseUNews
  • Facebook
  • Instagram
  • Youtube
  • LinkedIn
  • @SyracuseU
  • @SyracuseUNews
  • Social Media Directory
  • Accessibility
  • Privacy
  • Campus Status
  • Syracuse.edu
© 2025 Syracuse University News. All Rights Reserved.