Skip to main content
  • Home
  • About
  • Faculty Experts
  • For The Media
  • ’Cuse Conversations Podcast
  • Topics
    • Alumni
    • Events
    • Faculty
    • Students
    • All Topics
  • Contact
  • Submit
Campus & Community
  • All News
  • Arts & Culture
  • Business & Economy
  • Campus & Community
  • Health & Society
  • Media, Law & Policy
  • STEM
  • Veterans
  • |
  • Alumni
  • The Peel
  • Athletics
Sections
  • All News
  • Arts & Culture
  • Business & Economy
  • Campus & Community
  • Health & Society
  • Media, Law & Policy
  • STEM
  • Veterans
  • |
  • Alumni
  • The Peel
  • Athletics
  • Home
  • About
  • Faculty Experts
  • For The Media
  • ’Cuse Conversations Podcast
  • Topics
    • Alumni
    • Events
    • Faculty
    • Students
    • All Topics
  • Contact
  • Submit
Campus & Community

Artist Ann Hamilton to Appear at UVP Everson April 8

Wednesday, March 26, 2014, By Anneka Herre
Share
Communityspeakersvideo
"table of contents" is currently running at the Everson UVP site.

Ann Hamilton’s video piece “table of contents” will begin at the Everson UVP site on April 8.

Urban Video Project will present renowned multimedia artist Ann Hamilton on Tuesday, April 8, for the opening of a new video piece, “table of contents,” at UVP Everson.

Hamilton will give a talk in the Everson Museum of Art’s Hosmer Auditorium at 6:30 p.m. A special Tuesday night screening and reception will follow on the plaza.

Both the talk and the reception are free and open to the public. For the most up-to-date information, join the event on Facebook.

Ann Hamilton

Ann Hamilton

Best known for her large-scale installations, including last year’s enthusiastically received Park Avenue Armory Show, “the event of a thread,” Hamilton has created work for many of the world’s great venues, such as the Guggenheim, Mass MoCA, the Tate Liverpool and the Dia Center for the Arts, and she represented the United States in the 1999 Venice Biennale.

With this installation, Hamilton utilizes the brutalist monumentality of I.M. Pei’s building and the adjoining public plaza as the proscenium stage for a piece about the space of performance—simultaneously public and intimate—and how the audience might occupy that space.

Taking composer David Lang’s notoriously difficult composition, “Table of Contents” as its starting point, Hamilton’s piece poses a series of rhetorical questions to the viewer: Can the weight in the touch of a percussionist’s hand be visualized? How can a recording reveal the many subtle actions that bring forth musical virtuosity? What is the space between hearing and seeing, and how do we—the viewer-hearers—occupy this space?

When he wrote the score for “Table of Contents,” Lang envisioned a nearly impossible synchronization of two percussionists. “My original idea for the piece was a visual image that reminded me of the television variety shows of my youth—someone would come out onstage and make music by picking up an odd array of noise makers, in lightning succession, all of which produced sound in different ways.”

Fellow musicians were incredulous, telling Lang it was too difficult. In 2009, the Pendulum Percussion Duo (Susan Powell and Joseph Krygier) took on the challenge of playing the piece the way he intended. Other duos thought it impossible to pick up the instruments and shake them; until the Pendulum Percussion Duo’s performance, Lang had never witnessed its proper execution.

After seeing their performance in 2011, Hamilton imagined attaching an array of low-resolution mini surveillance cameras to their hands and instruments. This technique builds upon a process specific to her practice since 2001, which uses an inexpensive single-chip miniature surveillance camera held in the hand. The appendage of touch becomes the “eye.” This technique of “handseeing”—reading, recording and in effect rewriting—causes the picture to come in and out of focus. This is the first time Hamilton has used this many cameras simultaneously, undertaking the challenge of synchronizing their multifarious perspectives into one single projection.

In Hamilton’s “table of contents,” the cameras occupy the gap between hearing and seeing. They insert a motion that is neither the percussionist’s hand nor the static unblinking eye of an overhead stationary camera. The spliced video channels generate a counter rhythm, a back-and-forth that possibly brings us intimately into “impossible” virtuosity.

For more information about “Ann Hamilton: table of contents” or UVP, go to http://urbanvideoproject.com.

 

  • Author

Anneka Herre

  • Recent
  • University Musicians, West Point Band to Perform Together This Weekend As Part of Events Around Military Appreciation Day
    Friday, September 22, 2023, By Christine Weber
  • Turning Young Enthusiasts Into Scientific Researchers
    Friday, September 22, 2023, By Wendy S. Loughlin
  • Languages Unlock Opportunities for English for Lawyers Alumna
    Thursday, September 21, 2023, By Hope Alvarez
  • Fall 2023 Career Week: Helping Students Achieve Professional Goals
    Thursday, September 21, 2023, By Gabrielle Lake
  • A Commitment to Arts and Sciences Excellence
    Thursday, September 21, 2023, By Dan Bernardi

More In Campus & Community

University Musicians, West Point Band to Perform Together This Weekend As Part of Events Around Military Appreciation Day

The spirit of the Orange will unite with the precision of the United States Army’s oldest active-duty band, the West Point Band, for several events this weekend at the University, including a public concert with the University’s Wind Ensemble in…

Fall 2023 Career Week: Helping Students Achieve Professional Goals

“It’s never too early to begin taking action to achieve your unique professional goals,” is advice frequently shared by school, college and unit career teams in partnership with Syracuse University Career Services. Supporting students within their unique trajectory to career…

The State of Diversity, Equity, Inclusion and Accessibility at Syracuse University With Mary Grace Almandrez

As the University’s vice president for diversity and inclusion, Mary Grace Almandrez was paying close attention to the Supreme Court rulings that were issued towards the end of the court’s term in June. In particular, Almandrez and her Office of…

A Commitment to Arts and Sciences Excellence

A welcoming community where students of varying backgrounds thrive. An infrastructure that nurtures top-tier research and academics. These are two cornerstones of the College of Arts and Sciences (A&S) experience. Over the past six years, A&S has shown important strides…

Study Abroad and the Academic Experience

Sophie Creager-Roberts ’24 is a senior double major in environment, sustainability and policy and history in the Maxwell School of Citizenship and Public Affairs with a minor in atrocity studies and the practices of social justice in the School of…

Subscribe to SU Today

If you need help with your subscription, contact sunews@syr.edu.

Connect With Us

  • X
  • Facebook
  • Instagram
  • Youtube
  • LinkedIn
Social Media Directory

For the Media

Find an Expert Follow @SyracuseUNews
  • Facebook
  • Instagram
  • Youtube
  • LinkedIn
  • @SyracuseU
  • @SyracuseUNews
  • @SUCampus
  • Social Media Directory
  • Accessibility
  • Privacy
  • Campus Status
  • Syracuse.edu
© 2023 Syracuse University News. All Rights Reserved.