Historically, studies of early 20th-century Pueblo painting focused on the role non-Native anthropologists, artists and patrons played in fostering and marketing Pueblo art. In the last two decades, there has been a shift in approach spearheaded by scholars in the…
La Casita hosts New York City-based performance artist
Cuban-American performance artist Carmelita Tropicana (a.k.a. Alina Troyana) will perform at 7:30 p.m. Friday, Feb. 1, at La Casita Cultural Center, 109 Otisco St., Syracuse. The performance is free and open to the public. Troyana will present “Border Beasts: A Performance Collage” about issues of cultural identity and citizenship.
Troyana’s performance is presented in collaboration with the 2012-13 Ray Smith Symposium, “Moving Borders: The Culture and Politics of Displacement in and from Latin America and the Caribbean.” The Ray Smith Symposium series is supported by a bequest to Syracuse University’s College of Arts and Sciences from the estate of alumnus Ray W. Smith ’21.
Troyana burst on New York City’s downtown performing arts scene during the 1980s with her alter ego, the spitfire Carmelita Tropicana and her counterpart, the irresistible archetypal Latin macho Pingalito Betancourt, followed by performances as Hernando Cortez’s horse and la Cucaracha Martina from her childhood fairy tales in Cuba. In Tropicana’s work, humor and fantasy become subversive tools used to rewrite history.
Tropicana’s performances, plays and videos have been presented at venues such as the Institute of Contemporary Art in London, Hebbel Am Ufer in Berlin, Centre de Cultura Contemporanea in Barcelona, the Berlin International Film Festival, the New Museum of Contemporary Art, Mark Tauper Forum’s Kirk Douglas Theater in Los Angeles and El Museo del Barrio in New York.
Troyana’s work has been supported by grants from the Independent Television Service, the Jerome Foundation and the Rockefeller Suitcase Fund. She has received numerous awards, including the prestigious Anonymous Was a Woman (2005), Outstanding Artistic Achievement from Performance Space 122 in New York City (2011) and an Obie Award for Sustained Excellence in Performance (1999). She has received fellowships from the New York Foundation for the Arts for both playwriting and performance art.