Greek life organizations have a long history of incorporating philanthropic work into their missions. That certainly was the case this March, when 13 sororities of the Panhellenic Council at Syracuse University banded together to raise more than $5,700 for people…
UVP features video by Iñigo Manglano-Ovalle at Everson site
Urban Video Project will present “Always After (the Glass House)” by internationally recognized multimedia artist Iñigo Manglano-Ovalle, through November and December. It will be shown Sunday-Thursday, dusk-11 p.m., outside the Everson Museum of Art.
Employing footage shot on a high-speed film camera, “Always After” focuses on the broken glass accumulated after the windows of the Mies-designed Illinois Institute of Technology’s Crown Hall were smashed by the architect’s own grandson as part of a ceremony in advance of the building’s renovation. Manglano-Ovalle scrupulously edits out all clear reference to this odd ‘kill your fathers’ ritual, leaving the viewer with a dream-like sequence in which well-shod anonymous masses eternally exit and equally anonymous custodians endlessly move in to sweep up the crystalline debris of modernism. The precise nature of the event—whether it is a natural disaster, a terrorist attack or just routine construction—never becomes clear. Instead, the narrative unfolds like a Jacob’s ladder: never reaching the end, passing again and again through the point where modernist progress and crisis become indistinguishable—a point that is always already “after.”
Manglano-Ovalle (born in Madrid, 1961) has received numerous awards and grants, including a MacArthur ‘genius’ Fellowship and a Guggenheim Fellowship. His work has been included in numerous exhibitions, including solo exhibitions at El Museo de Arte Contemporáneo de Monterrey and Museo Tamayo Arte Contemporaneo, Mexico City; the Art Institute of Chicago; and the Massachusetts Museum of Contemporary Art; among many others. His work has been included in such group exhibitions as the Whitney Biennial, New York; Liverpool Biennial; and at The Power Plant, Toronto, Canada. Manglano-Ovalle is currently represented by Donald Young Gallery in Chicago, Galerie Thomas Schulte in Berlin, and Galleria Soledad Lorenzo in Madrid. He is a professor in the Department of Art Theory & Practice at the Weinberg College of Arts and Sciences at Northwestern University.