Skip to main content
  • Home
  • About
  • Faculty Experts
  • For The Media
  • ’Cuse Conversations Podcast
  • Topics
    • Alumni
    • Events
    • Faculty
    • Students
    • All Topics
  • Contact
  • Submit
Arts & Culture
  • All News
  • Arts & Culture
  • Business & Economy
  • Campus & Community
  • Health & Society
  • Media, Law & Policy
  • STEM
  • Veterans
  • University Statements
  • Syracuse University Impact
  • |
  • The Peel
  • Athletics
Sections
  • All News
  • Arts & Culture
  • Business & Economy
  • Campus & Community
  • Health & Society
  • Media, Law & Policy
  • STEM
  • Veterans
  • University Statements
  • Syracuse University Impact
  • |
  • The Peel
  • Athletics
  • Home
  • About
  • Faculty Experts
  • For The Media
  • ’Cuse Conversations Podcast
  • Topics
    • Alumni
    • Events
    • Faculty
    • Students
    • All Topics
  • Contact
  • Submit
Arts & Culture

‘The Clean House’ premieres at Syracuse Stage

Friday, April 29, 2011, By News Staff
Share
College of Visual and Performing Arts

Matilde (pronounced Ma-chil-gee) has a problem: she’s a cleaning lady who doesn’t like to clean. She’d rather think up the perfect joke. Now that her parents (once the funniest people in Brazil) are dead—her mother died laughing—she is the funniest person in her family. Matilde works for a doctor named Lane, who has a problem: Lane’s husband Charles, a surgeon, has found his soulmate, and it’s not Lane. It’s Ana, a vibrant Argentinean woman, who is dying, and that is Charles’ problem.

cleanhouseAuthor of “The Clean House” Sarah Ruhl is an exceptional playwright and MacArthur Foundation Fellow whose work has garnered Pulitzer nominations and justified recognition from Broadway to theaters across the country. “The Clean House” is one of her best–a compassionate, theatrically bold and emotionally rich comedy.

“The Clean House” runs May 4-22 at Syracuse Stage. Tickets range $16-$48, available at 315-443-3275 or http://www.SyracuseStage.org. “The Clean House” is sponsored by the National Endowment for the Arts, Upstate Medical University, the Syracuse Stage Board of Trustees and Residence Inn Marriott. Media sponsors are WAER and WCNY. Syracuse Stage season sponsors are The Post-Standard and Time Warner Cable.

“The Clean House” will feature five professional actors with significant Broadway credits: David Adkins as Charles (Broadway: “Next Fall”), Gisela Chipe as Matilde (Off-Broadway: “Emancipation”), Alma Cuervo as Ana (Broadway: “Beauty and the Beast,” “Cabaret,” “Titanic,” “The Heidi Chronicles,” “Ghetto,” “Quilters”), Carol Halstead as Lane (Broadway: Gore Vidal’s “The Best Man”) and Linda Marie Larson as Virginia (Broadway: “Deuce” with Angela Lansbury, “Jackie: An American Life,” “Mornings at Seven.”)

In “The Clean House,” Ruhl takes an expansive view of cleaning. “We often dismiss the question of cleaning, as if it were something trivial,” said Ruhl in an interview with American Theatre Magazine. “But if you really start to talk to people about their relationship to cleaning, it reveals so much about our attitudes towards death and mortality and decay.”

“A house, like a soul, naturally accumulates things,” says Michael Barakiva, director. “Cleaning is the process of upkeep. You think if you start down the right path, things will take care of themselves. But it doesn’t work that way. Everything requires upkeep. Each character must learn how to maintain his or her soul.”

In “The Clean House,” Ruhl accomplishes interplay of ideas, emotion and comedy by employing moments of “magic realism.” Barakiva compares this to musicals: “In a musical, when emotions get so high, the characters break out into song. In magic realism, heightened moments are created when willpower bends the rules of reality.”

The scenic design, in particular, helps to create a sense of magic in “The Clean House.” The white-on-white design is meant to symbolize the interior of a hospital, the states of Alaska and Connecticut (where the play’s action takes place) and the amount of energy it takes to keep white things clean. An iceberg coffee table is a reminder of how things in life can become frozen/thawed, and a curved staircase is the only separation between Lane’s home and Ana’s home (presumably across town).

Within this environment, Matilde, a Brazilian maid who doesn’t like to clean, starts the show with what Barakiva calls an “infusion of color, a colorful invasion of South America,” and her quest for the perfect joke begins.

After its acclaimed run at Yale Repertory Theatre, “The Clean House” was produced with equal acclaim at several major theaters coast to coast before winding up off Broadway at Lincoln Center, where it received an extended run.

Ruhl is a young American playwright based in New York City whose work has been produced across the country to much acclaim. Her plays include “In the Next Room” (Tony Award nominee, 2010; finalist for Pulitzer Prize, 2010; Glickman Prize, 2009), “The Clean House” (Susan Smith Blackburn award, 2004; finalist for Pulitzer Prize, 2005), “Dead Man’s Cell Phone” (Helen Hayes award for best new play), “Demeter in the City” (nominated for nine NAACP awards), “Eurydice,” “Melancholy Play,” “Orlando,” a new version of Chekhov’s “Three Sisters” and “Passion Play” (Kennedy Center Fourth Forum Freedom Award).

  • Author

News Staff

  • Recent
  • Harnessing Sport Fandom for Character Development: Grant Supports Innovative Initiative
    Monday, September 1, 2025, By Wendy S. Loughlin
  • What’s New at Campus Dining in Fall 2025?
    Friday, August 29, 2025, By Jennifer DeMarchi
  • DPS Pilots License Plate Reader Technology to Enhance Campus Safety
    Friday, August 29, 2025, By Kiana Racha
  • IDJC Welcomes Fall 2025 Visiting Fellows Nathaniel Rakich and Miranda Spivack
    Friday, August 29, 2025, By Genaro Armas
  • Libraries Announces Fall 2025 Workshops
    Friday, August 29, 2025, By Cristina Hatem

More In Arts & Culture

Point of Contact Marks 50 Years With Landmark Exhibition

To commemorate its 50th anniversary Punto de Contacto/Point of Contact, Inc. (POC) is presenting “50 Sin Cuenta,” a landmark exhibition of contemporary Latin American art drawn from its own permanent collection. An opening event will be held Friday, Sept. 19,…

La Casita ‘Corpórea’ Exhibition Explores Identity, Healing, Human Form

The themes of healing, identity and community through the lens of the human body are the focus of a new exhibition at La Casita Cultural Center. A free public event opens “Corpórea,” which translates to “of the body,” on Friday,…

Syracuse Stage Announces Auditions for 2025-26 Theatre for the Very Young Production ‘Tiny Martians, Big Emotions’

Syracuse Stage is seeking non-equity actors to audition for the Theatre for the Very Young production of “Tiny Martians, Big Emotions,” conceived and directed by Kate Laissle. The show is a touring educational program as part of the company’s 2025-26…

Art Museum Launches Fall 2025 Season With Dynamic, Interdisciplinary Exhibitions

The Syracuse University Art Museum kicks off its fall season on Aug. 26 with four new exhibitions that reflect the museum’s mission to foster diverse and inclusive perspectives and unite students across disciplines with the local and global community. From…

How Artists Are Embracing Artificial Intelligence to Create Works of Art

Artists have always embraced new technologies to push the boundaries of their creations—balancing imagination and authenticity with innovation. Artificial intelligence (AI) is no different, says Rebecca Xu, professor of computer art and animation in the Department of Film and Media…

Subscribe to SU Today

If you need help with your subscription, contact sunews@syr.edu.

Connect With Us

  • X
  • Facebook
  • Instagram
  • Youtube
  • LinkedIn
Social Media Directory

For the Media

Find an Expert Follow @SyracuseUNews
  • Facebook
  • Instagram
  • Youtube
  • LinkedIn
  • @SyracuseU
  • @SyracuseUNews
  • Social Media Directory
  • Accessibility
  • Privacy
  • Campus Status
  • Syracuse.edu
© 2025 Syracuse University News. All Rights Reserved.