A team of fifth-year School of Architecture students have won the grand prize at this year’s Busan International Architectural Design Workshop (BIADW)—an intensive academic program intended to encourage rigorous research and ideas creation of architecture major students from around the…
SU Humanities Center explores conflict with mini seminar series
The SU Humanities Center continues exploring conflict with its fall mini seminar series. Upcoming participants include ethnomusicologist Deborah Wong and musicologist Pamela Potter (Wednesday, Sept. 15), former FBI special agent Richard A. Marquise (Friday, Nov. 12), music theorist Jonathan Pieslak and ethnomusicologist J. Martin Daughtry (Tuesday, Nov. 16), and director Ping Chong (Friday, Dec. 3). All events run 9 a.m.-noon in the SU Humanities Center’s seminar room (304) in the Tolley Building.
The mini seminar series is available by invitation only. Seating is limited. For more information and to reserve a space, call 443-7192.
“The purpose of the series is to present renowned scholars in a seminar-style format, which is usually more intensive and conversational than a traditional lecture setting,” says Gregg Lambert, Dean’s Professor of the Humanities and founding director of the SU Humanities Center. “Our goal is to create a dialogue about the public possibilities of humanistic inquiry, as they pertain to interdisciplinary thinking and real-world issues.”
Past participants have included Leslie Marmon Silko, the Native American author and activist who kicked off this year’s Syracuse Symposium; W.J.T. Mitchell, the Gaylord Donnelley Distinguished Service Professor at the University of Chicago; and Richard Dyer, professor of film at King’s College, London.
Wong and Potter serve on the faculties of the University of California, Riverside, and the University of Wisconsin-Madison, respectively. Their mini seminar is part of a larger program “Power and Resistance in the Second World War,” presented by the Ray Smith Symposium. Wong, who is professor and chair of music at UCR, specializes in music and performance of Asia America and Southeast Asia. Also, she researches identity politics, performance and cultural studies, mass media, popular culture, critical pedagogy, and music and ritual. Potter, a professor of musicology, holds additional appointments with UW’s German department and Center for Jewish Studies. She has written extensively about music and German national identity, as well as about music and the arts in Nazi Germany.
Marquise spearheaded the investigation of the Pan Am Flight 103/Lockerbie Air Disaster in 1988, in which 270 people died, including 35 SU students. His award-winning service led to the publication of “Scotbom: Evidence and the Lockerbie Investigation” (Algora, 2006). During his 31 years with the FBI, Marquise also served as the special agent in charge of the Oklahoma City Division and as chief of the Terrorist Research and Analytical Center. His mini seminar, “International Terrorism: Threat in U.S. and Proactive Measures,” will explain what terrorist threats are, where they come from and what the U.S. government does to counteract them.
Pieslak and Daughtry are music professors at CUNY Graduate Center and New York University, respectively. Pieslak is a music theorist and composer whose areas of research include critical theory, rhythm and meter in metal music, and music and war. Daughtry is a specialist in music of the Russian-speaking world, music and memory, music and politics, and the significance of sound in conflict zones. Their mini seminar concludes a three-day “War in Iraq” program, presented by the Ray Smith Symposium.
Chong is an acclaimed director, writer, choreographer and visual artist who is this fall’s Jeanette K. Watson Distinguished Visiting Collaborator in the SU Humanities Center. He returns to Syracuse Stage for a new piece of documentary theater (“Cry for Peace: Voices From the Congo”), following the success of 2008’s “Tales From the Salt City.” In addition to being one of the nation’s premier theater artists, he is a seminal figure in Asian-American arts.
“Whether understood as a scourge that marks the human condition or as a tragic necessity of human progress, conflict has always been a catalyst for humanistic inquiry into one of the most persistent features of society,” adds Lambert. “The theme is timely and relevant.”
“Conflict” is the theme of this year’s Syracuse Symposium, organized and presented by The SU Humanities Center. In turn, “Music of Conflict and Reconciliation” is the focus of this year’s Ray Smith Symposium, organized by the College’s art and music histories department, with major funding and assistance provided by the Mellon CNY Humanities Corridor, an Andrew W. Mellon Foundation initiative, and the SU Humanities Center.