Barbara Livingston ’84 Captures the Soul of Horse Racing

For 50 years, the award-winning photographer has chased the perfect moment, from the Belmont Stakes to a retirement farm in Kentucky.
John Boccacino Sept. 28, 2026

No matter the assignment from her photography professors at Syracuse University, Barbara Livingston ’84 always chose horses as her subject.

Depict a cemetery? Livingston captured the gravestone of Man o’ War, widely considered the greatest American thoroughbred, buried at Kentucky Horse Park in Lexington, Kentucky.

Shoot a sunset? Livingston staked out the stables at Saratoga Race Course, waiting for the ideal moment when the sun’s rays descended into the foreground, perfectly illuminating the horse.

This love affair with documenting horses began at age 10, when Livingston’s parents made the 30-minute trek from Schenectady to Saratoga to watch legendary horses like Secretariat, Alydar, Affirmed and Ruffian. Livingston still proudly displays the prints depicting Ruffian’s victory in the Spinaway Stakes at Saratoga, when Livingston was 13 years old and knew she was destined for this line of work.

Jockey walks the filly Ruffian, a black Thoroughbred, on the track.
The champion filly Ruffian jogs on the track before a race. (Photo by Barbara Livingston)

“I was determined to become the best horse racing photographer possible,” says Livingston, who currently has an exhibition at the National Museum of Racing and Hall of Fame. “I’m driven to shoot the best photographs I can and always aim to do the ‘right thing’ for each equine subject. I have near-limitless patience and will stay at a farm for many hours awaiting just the right light. Does it always work out as I’d like? Definitely not, but it’s the pursuit of excellent images that drives me.”

That same eye for the perfect equine moment has defined more than 50 years behind the camera. Livingston, chief photographer of the Daily Racing Form, has garnered six Eclipse Awards (racing’s highest honor), with four awards for photography and two for audio/multimedia projects.

Livingston has also published seven books, including her popular “Old Friends” series, which spotlights the lives of retired thoroughbred racehorses. The series in part inspired journalist and philanthropist Michael Blowen to start Old Friends, a home for retired racehorses in Georgetown, Kentucky. Blowen says Livingston’s photography has helped raise more than $50,000 to support equine aftercare.

Livingston, who graduated with an experimental photography degree from the College of Visual and Performing Arts, sat down with Syracuse University Today to reflect on her decorated career. Scroll to the bottom to view a photo gallery of Livingston and some of her favorite photos.

Q:
What makes horses the perfect subjects for your photographs?
A:

Although I’ve never been able to put into words what’s so magical about horses, for me, they are the most beautiful of all subjects. Thoroughbreds can run with breathtaking power and stunning speed, but, on the other hand, they can also have such gentle personalities and so much patience. Whether I see a horse dance into a racetrack paddock or stand unmoving at a farm, gazing off toward who-knows-what, it will forever be a magical sight.

Q:
How do you know you’ve got a great photo?
A:

You can sometimes tell through the viewfinder if a photograph has potential. You can even change camera settings while shooting a race, for instance, if several horses approach a race finish together. But even then, a shot may not be what you’d hoped for. I never assume I’ve captured a great photo; I’m happy with a good, usable one. I’ll try for a great photo again during the next race.

Q:
What’s your favorite photograph?
A:

While it’s not my all-time favorite photo that I’ve shot, the most important moment I’ve photographed professionally is likely American Pharoah winning the 2015 Belmont Stakes. His was the first Triple Crown victory since Affirmed won in 1978, an extremely important historical moment for racing. I was pleased with my resulting photo of American Pharoah zooming past the wire, shot at ground level with a remote camera. You can see the large crowd and old Belmont Park in the background.

Q:
How do you build a rapport with the horses?
A:

Some horses shine with personality while other horses are more quiet, laid-back, difficult to “read.” But the more you study them, their personalities begin to show. When I’m at the track, horses can be antsy, relaxed or something in between before a race. Regardless, each deserves for me to record them in the most positive light possible. At farms, there’s more time and leeway, since horses and handlers are in a more relaxed setting. Horses sense the more relaxed conditions and often respond very favorably, which (hopefully) leads to good photos.

Q:
How did you get involved with Old Friends and what does that project mean to you? 
A:

The founder, Michael Blowen, was a writer for The Boston Globe who wanted to start a farm for retired thoroughbreds. Daily Racing Form formed a partnership with Blowen early on to produce an annual magazine to help raise money for the farm. I roam the farm quite a few days each year, seeking the best shots of the farm’s roster of wonderful “old friends.” Every day there is a new adventure. Their horses range from Kentucky Derby winners to horses very few people have ever heard of. But each one deserves to have dignity in their retirement years. Each one has a story and is unique, beautiful and inspirational. I’m very honored to work with Old Friends.